South Korea has gone through an incredible evolution in just a few decades, with a world-class export of electronics, cars and ships playing a central role. But despite the many successes there are also challenges. Based on fresh examples, this analysis by Martin Brynskov suggests that South Korea's continued success is about much more than technology and economy.

Læs Martin Brynskovs artikel Æblet i det japanske mobil-paradis (PDF).

A reconstruction of the history of artistic networking in Italy and of the Italian hacker community from the 1980s to date.

Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities.

The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed. The book builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail Art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.

Tatiana Bazzichelli (Rome, IT, 1974), is a communication sociologist and an expert in network culture, hacktivism and net art. She is a Ph.D. Scholar at Aarhus University.

Copyright © Italian edition 2006, costlan editori s.r.l., Milan.
Copyright © English edition 2008, Digital Aesthetics Research Center, Aarhus University, and the author.

Preface by Derrick De Kerckhove. Epilogue by Simonetta Fadda. Translation: Helen Pringle and Maria Anna Calamia, revised by Grace Wright. Layout and front cover by Jonas Frankki. Cover image: Giovanotti Mondani Meccanici by Antonio Glessi-Andrea Zingoni, published in “Frigidaire” issue 42, May 1984, Primo Carnera Edition.

The book is published under the GNU Free Documentation License, Version 1.3, November 2008. You can download the Networking book from this link (PDF, 3.10 Mb). Language: English | Pages: 336. You can buy the printed version here.
More info at: www.networkingart.eu

Martin Brynskov, Assistant professor at the Center for Digital Urban Living:

"One of the basic values is the Scandinavian approach to a sustainable, friendly and integrated view of technology use."

"When we see Brazilian cities banning certain outdoor advertising or when Paris considers banning outdoor media for commercial purposes within 300 metres of cultural landmarks, this is exactly the kind of problem we are trying to address: to qualify and quantify the precise implications of putting out different kinds of new media into public space."

"We experiment with certain technologies that work well in particular contexts."

"We work closely with the producers of new materials – concrete that can change colour, glass that works as both screen and window. We can help advise on ways to go about it and ways to avoid. That's the immediate value of gaining knowledge – you can set up guidelines." 

Read more about Media Facades.